Category Archives: Education

Random Thoughts: Artwalk

It never ceases to amaze me! Support from the general public for Lake Country’s ArtWalk continues to be unbelievable. Hundreds of visitors course through the Community Complex to view art from so many different disciplines. Held annually on the 2nd weekend in September it is the largest and perhaps most prestigious event of its kind in the interior of British Columbia.

This was the 9th year that I have had my work on display at Artwalk. For me, it is a real honour to be included with so many other fine artists. Not only is it interesting to interact with the many visitors that will pass by my work but is so much fun to greet the many friends and acquaintances who take the time to come out and visit.

People watching is all part of being at Artwalk. Locating myself close to where my work is hung I can easily eavesdrop on conversations and observe reactions when people view my or other artists work. Sometimes I insert myself into a conversation to clear up a misconception or to answer a question that may have been expressed aloud.

Sometimes questions are direct. “Is that picture photoshopped?” Or “What kind of camera do you use? It must be expensive.” And sometimes, the comments are just plain hilarious.One comes to mind.

Two ladies, elderly as I recall were having a conversation about my Great Blue Heron. Their conversation concluded when one of the ladies realized that I was nearby and exclaimed, “This painting is better than a Robert Bateman!” And then she capped this off with, “You made it look just like a photograph.” All of us who heard this conversation just about collapsed as we tried to stifle our laughter.

Neither of my two ‘Artwalk’ images found new homes. But,  I had a great time interacting with visitors and learning a few things from my fellow artists. To me, that is a

the most important outcome from the Artwalk experience.

There is one image that I had hoped would have been juried into Artwalk this year and another that I should have submitted for consideration. Both were made in the Avitar Grove near Port Renfrew. They depict the west coast rain forest. I did submit Regeneration, an image of the second growth forest showing nature’s regenerative powers after the area was heavily logged in the early to mid 20th century. I just loved the brilliance of the varying shades of green in the forest that day. 

Ancient Oldgrowth is an image that I should have submitted to the jury panel. It shows the juxtaposition of an ancient old growth red cedar amidst young, tender deciduous branches and leaves. The ‘old ancient’  had been there for hundreds of years, the ‘young tenders,’ just a few.  In my mind, both of these images show the past and present beauty of the westcoast rainforest. 

 

Also posted in My Work, The Creative Process

Choices and Themes: Artwalk

Invariably, after Artwalk I think, “That will be the last one!” And invariably, I keep coming back. It helps that my work has passed the jury test in all but one of the years I have submitted it for consideration  and that my sales record has been quite good.  

There’s more to it though. I enjoy interacting with other artists and the  many visitors that come to see such a wonderful display of art. The atmosphere to me is electric. 

Most of the time I’ve been a deadline guy, waiting until the last minute to get my submissions together. Searching through hundreds of images for ‘just the right one’ is taxing especially when I haven’t established a set of parameters.

This year I made a change. Early on I made a special category in my  image catalogue and moved images to that file that I thought would be good candidates. That certainly made final selections much easier. 

Canvas is my favourite medium on which to print my images. I love the bright colours and the print sizes that can be realized with canvas. Depending on the image once these prints are mounted on their stretching bars they can framed or hung as is.

Of the seven images I submitted to the Artwalk jury this year all would look great printed on canvas. Five of the images fit into a “West coast” theme. They were made on two recent  trips to Port Renfrew, B.C.

One of the images was made in Michigan close to where our son resides. It was a cool, clear autumn day last year when I made this image of large trees reflected in the Huron River. 

My favourite, the Great Blue Heron, was made at the Fascieux Creek Wetland here in Kelowna. It is one of several thousand I have made at this location. 

Of the images I submitted two were accepted by the jury, Sunset Beach and the Great Blue Heron. While I believed they all would show well at Artwalk, I’m very pleased with these two selections.

Also posted in My Work, The Creative Process

Moments in Time: The Henry Ford (Part 2)

In a previous article I wrote about Greenfield Village the outdoor museum associated with the Henry Ford in Dearborn, Michigan. The indoor museum at the Henry Ford is just as captivating as Greenfield Village. It too, is a wonderful place to reminisce and of course to make photographs.

Beginning as Henry Ford’s personal collection of historic objects the indoor facility is housed in a building of over 500,000 square feet. Antique machinery, ordinary household utensils, pop culture items, automobiles, aircraft and locomotives are housed in this wonderful building. It opened in 1933. A careful examination of the images I’ve included below reveals that this building is absolutely stunning.

The Henry Ford complex is advertised as a museum of American history and innovation. I like to think of it as applying to both Canada and the United States. Old photographs of my grandfather’s farm in Saskatchewan show tools, machinery and modes of transportation that were commonly used in both countries and that are now on display at the Henry Ford Museum. In one of my first visits to the Henry Ford my mom accompanied us. She pointed out numerous appliances and utensils that were in use in her family’s home in the early 1900’s.

The Ford name is associated best with the automobile industry. Within the museum is a huge collection of beautifully restored vintage cars, representations of vintage fuel company signs and even early recreation vehicles.

The aviation display is also impressive and features a 1925 Fokker F VII triplane, a 1939 Sikorsky VS 300A helicopter and a Replica of the 1903 Wright Flyer. A 1939 Douglas DC-3 hangs from the ceiling.

The inventions of Thomas Edison and the growth of the electric power grid are well displayed but to me the most dominant display can be found in the museum section devoted to railroad history. Foremost in this exhibit is the 600 ton Chesapeake & Ohio Railway’s massive Allegheny steam engine. It was introduced into service in 1941. It was one of the largest steam locomotives ever built and could pull 160 fully loaded cars each loaded with 60 tones of coal. By the early 1950’s diesel locomotives had replaced these steam giants but the romantic period of steam is indelible in our history.

It would take many visits to the Henry Ford Museum to really appreciate the scope and meaning of the artifacts that are on display. There is so much to see and to photograph. Certainly, I will be making a return visit the next time we are in Michigan. 

Also posted in My Work, Travel

Coastal Experience: Deep in the Forest

My first encounter with B.C.’s old growth forests occurred in the mid 1960’s. I was employed by John Motherwell, a B.C. land surveyor and engineer. We were working on a project in Holberg, B.C. a logging community on northern Vancouver Island.

I distinctly remember the size of the ‘off road’ logging trucks that plied the gravel roads we travelled to access our job site. They were huge. One morning a loaded logging truck approached us. It was carrying just one log, a section of an ancient old growth tree.

A few years later in the spring of 1968, Ellen and I packed our Volkswagen Beetle and headed off to Long Beach for a long weekend camping trip. Now, it is a very popular tourist destination located between Tofino and Ukuelet on the west coast of Vancouver Island. Back then the road to the coast was fairly new and rough. In poor weather conditions the trip was difficult. Now, it is part of the Pacific Rim National Park Reserve and easily accessible.

Passing Kennedy Lake on our way to the coast we were stunned by a devastated forest. What had been an ancient old growth forest was gone. It had been clear cut. Stumps and logging rubble littered the landscape. Protests by indigenous and environmental groups eventually lead to an outright ban in some areas of cutting old growth trees and certainly a more sustainable forest practices code. But, the damage had been done.

Fifty years later, those clear cut areas look refreshed. Seedling that were planted to replace the old trees have grown into a vibrant ‘second growth’ forest. Interestingly, hikes through these renewed forests reveal the huge stumps left behind by the loggers who felled the old growth giants half a century or more ago. Today, they are just rotting relics but serve as a reminder of what had once been a magnificent ancient forest.

In the last year, I’ve made two trips to Port Renfrew, B.C. and to sections of the wild west coast that reflect the reality of today’s coastal forests. There are several areas where blocks of second growth forest have been logged. Even here, the stumps of the original ancient forest remain in start contrast the most recent cut.

For the most part though the forest, right down to the ocean edge, is thriving. Streams bubble through small valleys and cuts bringing the essence of life through the forest and down to the ocean.

It is interesting to witness how ‘Mother Nature’ heals the land after it had been reduced to rubble. Slowly, the old stumps are being returned to the earth. New growth finds small nooks and crannies even in the bark of an ‘ancient, to find life sustaining nourishment.

I remember the hike to Sombrio Beach where the second growth trees are flourishing. But just before the beach the path passes through a campsite and a grove of ancient trees. They seem to reach to the sky. Magnificent!

Avitar Grove, about a half hour’s drive from Port Renfrew is an example of an Ancient Old Growth forest that has been preserved. Huge ancient old trees, new trees, deciduous and evergreen as well as some that have fallen cover the landscape. Here the presence of the ‘Ancients’ is felt. Its almost mystical and to my eye, beautiful.

Also posted in My Work, Travel

Camera Instructive: The Pinhole

While surfing through Facebook posts recently I came across a story about a photographer who worked with a group a school kids to produce images for Christmas cards. The camera of choice was a ‘Pinhole’.  

As I read the article I remembered when I had  taught a unit about pinhole photography.  It was in 1975 and I was teaching grade 7 at Rutland Elementary in Kelowna, B.C.   

Rutland Elementary was built around 1914. It’s rooms had twelve foot ceilings and  almost floor to ceiling windows. It was spacious and ideal for what I had planned.  

Our cameras were designed around  2 inch by 3 inch black and white sheet film. Each student constructed a camera based on a standardized plan. They were similar to a shoe box but smaller. Film was held in a slot mounted in the black painted interior. A small piece of copper foil  pierced by a needle was centre mounted over a small  hole at the end opposite. This was the aperture. A cardboard flap taped over the ‘aperture’ served as the shutter.  

With a standardized focal length and aperture we were able to calculate exposure times appropriate to the daylight conditions we faced. We all came to be quite proficient in making reasonably images as we experimented with differing exposure times.  

Film was loaded and then unloaded after exposure using a black bag, an essential tool for film photographers. It was developed and fixed in our rudimentary darkroom. It was located in a corner of our adjacent coat room. Composed of two large refrigerator boxes taped together there was enough room for a few students to work easily. It was equipped with 2 small tables, developing trays and an entry level enlarger. 

On photography days we found locations on our school grounds to make our compositions. Exposure times were monitored by stop watches. A heavy text book placed on top of the lid helped to prevent camera movement.  

I will always remember the excitement this project generated. The emergence of images on the negative and then on photographic paper in the developer absolutely captivated my students. Interestingly, two of them found careers in photography, one as a newspaper professional and the other as a researchers in medical imaging at the University of British Columbia.  

I’ve included a collection of my favourite black and while images with this article.To a few I have applied further artistic enhancements.  Originally, this was my area of photographic interest. Like my students I loved the  darkroom process. Digital now but early on, film photography including the pinhole chapter was very important to my learning of photography. 

 

Also posted in My Work, The Creative Process

Everyday Photography: Permission Sometimes

It’s cold today and I have a cold. Getting off the couch was not on top of my to-do-list. But there was a place I’ve wanted to visit for some time. Why I didn’t go when it warmer, I don’t know. I’ve driven by it many times.

I reasoned this morning that even if I made 3 or 4 images I’d have something new to work with on my iPad when I returned to the warmth of the house. At the very least I’d have a better idea of my subject matter for a future visit.

Mid morning today I drove to a transmission shop several miles away. Housed in a large, barn like building its situated on several acres of land in Woodhaven, Michigan. The attraction though, was not the building but the display of 1940’s vintage vehicles fronting up the business.

As I slowly drove onto the property my focus was on the dozen or so vehicles lined up in front of the shop. It was a scene that I had not expected. Snow fell overnight. Hoods and bodies were covered with melting snow.

My first impression as I walked up to the building entrance was that it was deserted. I tried the door, knocked and looked around. No sound from within, nothing at all from around the property. A note tacked to the door expressed interest in one of the cars. Perhaps it was the one with “Sold” scrawled across the windshield

I had a problem! Making photographs on private property without permission could be termed trespassing. My practice is always to ask permission to photograph on private property or even when I enter an individual’s personal space to make a photograph of that person in their environment.

Under the circumstances there seemed little chance of me getting the permission I needed today. For the record I made a few images, climbed back in the truck and left. The last thing I needed was to offend someone’s property rights. I’ll try again in the next few days.

Also posted in My Work

100th Anniversary: Amid Kelowna Colour

When I started writing this article a week ago  my objective was to discuss fall colours in Kelowna. But that focus of the article changed.

Today is Remembrance Day and the 100th anniversary of end of World War I in 1918. Usually, on November the 11th,  I sit down in front of my TV with my first coffee of the day and watch the Remembrance Day ceremonies at the National War Memorial in Ottawa, Ontario. This year I also watched severals documentaries related to WW I and II.

The ceremonies and stories are gripping. So many soldiers and civilians died during this conflict and others. Two of my uncles served. Bill Adair served in the trenches during WW I. He was gassed.  George Cotter served on HMCS Fennel, a corvette that escorted convoys on the North Atlantic. Both survived and to my knowledge neither spoke about their war experiences.

I was born in 1944. World War II was beginning to turn in the allied forces favour. Thankfully, me and my family have never had to experience the atrocities of war. The dedication and valour of so many service men and women have allowed us to experience a peaceful and fulfilling life.

So, when I head out with my camera, freely able to travel to interesting places close to home or around the world I give thanks today to those who have given us our freedom.

The images I’ve attached to this article were made early last week. Cool temperature and clear sunny skies resulted in beautiful light that seemed to give the leaves an iridescent tone. A few days later the winds rose and the leaves fell leaving the trees as mere skeletons of their summer selves.

Also posted in My Work

Sunrise: A Transition

Friday morning it was still very dark when I headed out with my camera gear. My destination was the Oak Bay waterfront. I was hoping to capture the transition from the damp, coolness of first light to the warmth of rising sun. I had three locations in mind.

The headland at the eastern end of McNeill Bay was my first stop. In the dim light I packed my gear to a location overlooking a large kelp bed. I felt that the calm waters around the kelp would be an ideal presentation of the coolness of first light.

From there I moved to the parking lot at the Oak Bay Marina. There, I had a good view of the of Chatham and Discovery Islands as well as small rocky outcrops and navigation markers. I hoped that it would be a good location to catch the emerging colours of first light. The beauty of the scene was incredible.

After making a dozen or so images and knowing there was little time to spare I was off to Cattle Point.

I arrived in the nick of time. The sun was about to emerge from behind a fog bank. The reflections in the mirror-like water between the rocky outcrops were incredible. I shot from several locations. As the impact of the scene diminished I began to pack up.

And then I spotted a Great Blue Heron. It was moving about the calm waters adjacent to the boat ramp hunting for its next meal. It didn’t seem to mind my closeness.

And then the fog rolled in.


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Also posted in My Work

New Camera: Full Frame

Recently, I purchased a full frame camera, a d700. It’s not new but it’s new to me. Ten years ago it was one of Nikon’s top professional models. 

I’ve had this particular camera model on my radar for quite some time. The reviews that I have read indicate that it was a great camera and still is.  I certainly could have purchased a current ‘top of the line’ model but cost was a major factor. Yes, it is old and lacking some to today’s bells and whistles but with a shutter count of less that 7,000 it is virtually new. The shutter count  for this caliber of camera can reach up to 150,000.  

So now I have a  full frame and a cropped sensor model of camera. Those with a sensor the same size as a 35mm slide are full frame cameras. A cropped sensor is smaller. 

I use my cropped sensor camera, a Nikon d7200, for photographing nature, wildlife and sports. And I love using it when I’m traveling.  It’s built in WiFi allows me to connect to my iPhone or iPad and quickly move images to my processing apps and then to social media. 

I’ll use my d700 primarily for architectural,  landscape and panorama photography. The image quality of this camera is excellent for this type of photography.  

I’m not a ’gear head’. I don’t have to have the latest greatest equipment. Previously owned equipment in excellent condition works just fine for me. My overarching interest is to create the best possible images with my available equipment. 

Rainy afternoon near Sombrio Beach

The image above was made about a month ago at Sombrio Beach near Port Renfrew, B.C. It was raining heavily but I had found some shelter in small cave. A long exposure smoothed giving it a silky look. 

I was glad to have two cameras available on this occasion as changing lenses is difficult under such poor  conditions. By having one camera equipped with a longer zoom lens and the other with a short zoom lens I found I could deal with most photo opportunities without exposing the inner workings of  my cameras to the weather. 

 

 

 

 

 

Also posted in The Creative Process

The Workshop Experience: Loving the Coast

Dave Hutchison’s “ Vancouver Island Coastal Experience” took place last weekend in Port Renfrew, B.C. I had been looking forward to this workshop for several months. It more than lived up to my expectations.

September weather conditions on the west coast of Vancouver Island can be variable. Sunshine is not guaranteed. For the most part the sun did not shine for the duration of the workshop. Rain came instead, sometimes heavily. Despite being well prepared, I did get soaked a few times. Most important though, I was able to keep my camera gear reasonably dry.

Most of what Dave had planned for the weekend took place. Unfortunately, overcast skies on Saturday forced the cancellation of a night shoot. Given the complete lack of light pollution that would have been spectacular. Instead, we hiked back to Botanical Beach creating interesting compositions until darkness set in. A debrief session at the Port Renfrew Pub was a welcome end to the day.

Age is a factor when I go on wilderness hikes and workshops. I use the word Geezer in the title of my blog for a reason. I’m old! For that reason I make sure I have a good understanding of the physical challenges that I will be faced with. And I try to keep reasonably fit.

The eleven or so kilometers of hiking we did on Saturday plus those accumulated on Friday and Sunday were OK. But I had difficulty finding solid footing while climbing up a wet rocky headland on Saturday morning. Despite my best efforts to remain upright I took a tumble. Luckily, I was not seriously damaged. I mention all this only as a caution to be considered when embarking on a wilderness workshop or expedition.

Dave had us in the field from first light until after sundown. Short breaks to change out of wet clothing and to grab a bite to eat were the exceptions. Always teaching, Dave challenged us to simplify our images by selecting the lens suited to the landscape and by using appropriate exposure and focusing techniques.

The locations he guided us to were stunning. Each had unique possibilities for creating beautiful landscape photographs. Each of us was challenged by the qualities of the light, weather conditions and our individual technical and creative abilities.

Botanical and Sombrio Beaches at either high or low tide had many interesting compositional opportunities. The poor weather with its rather somber light brought a unique look to these beautiful landscapes.

It was raining steadily on Saturday afternoon when we reached Sombrio Canyon. Everything was wet. It’s beautifully sculpted sandstone walls formed a very narrow passage that only 2 of us could work in at a time.

Beyond the beaches and rocks the forest began. At first, knarled trees twisted and bent from the relentless wind and then those that were tall reaching high above the forest floor. Many of these were second generation to those that years ago had fallen to the logger’s axe. But some of the old growth trees remained. They were magnificent. Even in the solitude of Avitar Grove these huge trees made my existence seem small and unimportant.

Some of the images I made at Port Renfrew I really like but it will take me awhile to sort and process the images all of them.   I have included a selection below.

Also posted in My Work, The Creative Process, Travel